It can be hard to know what to do after studying photography. I've spoken to so many students over the years that have no idea about what the options are, or what careers would make use of their skills. Many say they want to be a photographer, without knowing that there are so many different types! Hopefully these interviews will open your eyes to the possibilities. Also check out the careers page for more on photography careers.
An interview with Sarah Beard - a Photography Student from the UK
M: Thank you for joining us today! Let's start with a brief introduction. Can you tell us your name and which photography course you're currently enrolled in?
S: Of course! My name is Sarah, and I'm enrolled in a Bachelor of Fine Arts in Photography program at University. M: That's great, Sarah. Could you give us an overview of what a typical day or week looks like in your photography course? S: Sure! A typical week usually involves a mix of classes, hands-on practical sessions, and studio time. We have lectures on photography history and theory, workshops on various techniques, and ample opportunities to work on our projects both in the studio and out in the field. M: Sounds like a well-rounded approach. What are some of the key topics and skills that your course covers? S: Our course covers a wide range of topics, from the fundamentals of camera operation and composition to advanced techniques like lighting, post-processing, and even video production. We also delve into the history of photography and its evolution in the digital age. M: Interesting! Are there any specific projects or assignments that have been particularly memorable or challenging for you so far? S: One of the most memorable projects was our documentary photography assignment, where we had to capture a compelling story through a series of images. It was both challenging and rewarding, as it pushed me to explore storytelling through visuals in a whole new way. M: That does sound like a valuable experience. Are there any specialized equipment or software that students are required to use in your course? S: Yes, we have access to a range of professional camera gear, lighting equipment, and post-processing software. We learn how to work with DSLRs, mirrorless cameras, studio lighting setups, and software like Adobe Lightroom and Photoshop. M: It's great that you have access to such resources. How about the faculty? Could you tell us a bit about the instructors and their expertise? S: Our instructors are fantastic. They have diverse backgrounds and experience in various photography genres, from fine art to commercial photography. They're always available to provide guidance, share insights, and help us develop our unique styles. M: That's important. Photography often involves collaboration. Do you get opportunities to work with your peers on group projects or assignments? S: Absolutely! Group projects are a big part of our coursework. Collaborating with peers not only helps us learn from one another but also provides a taste of the real-world dynamics of working on a team, which is crucial in the industry. M: It's great to hear that you're gaining practical experience. Looking ahead, how do you see your photography course preparing you for a career in photography? S: The course not only equips us with technical skills but also encourages us to think critically, develop our creative vision, and build a strong portfolio. Additionally, we have career-focused sessions where professionals from the industry share their insights and help us prepare for the job market. M: Lastly, for aspiring photography students, what advice would you give to those considering a similar course? S: I'd say, go for it! Photography is not just about taking pictures; it's about storytelling and expression. Be open to experimenting, learning from your mistakes, and building a strong foundation in both the technical and creative aspects of photography. It's a rewarding journey, and your unique perspective can make a significant impact. |
An interview with David - a Graphic Designer from the UK
M: Hello, David! Thank you for taking the time to speak with us today. Can you start by telling us about your background, including your prior training and experience as a graphic designer?
D: Certainly! I have a Bachelor's degree in Graphic Design. After graduation, I started as an intern at a design agency, where I gained practical experience working on various projects. Over the years, I've honed my skills and have now been working as a graphic designer for a creative agency for five years. M: That's great to hear about your journey. Can you provide an overview of your typical workday as a graphic designer? D: A typical workday for me involves a mix of tasks. I spend time brainstorming ideas, creating design concepts, collaborating with the team, and, of course, using design software to bring my ideas to life. I also review and edit designs, communicate with clients, and occasionally attend meetings to discuss project progress. M: It sounds like a dynamic role. Can you tell us about the types of projects you typically work on as a graphic designer? D: I work on a wide range of projects, including branding and identity design, web design, print materials like brochures and posters, social media content, and sometimes even packaging design. Each project comes with its unique challenges and creative opportunities. M: It's clear you have a diverse workload. What are some of the key skills and software tools that you regularly use in your role? D: Essential skills include a strong sense of design, layout, and composition. It's crucial to be proficient in design software like Adobe Creative Suite (Illustrator, Photoshop, InDesign), as well as having a good understanding of typography and color theory. Additionally, soft skills such as effective communication and time management are important in this field. M: Those are valuable skills to have. Can you share a recent project or design challenge that was particularly interesting or challenging for you? D: Recently, I worked on a rebranding project for a client in the food industry. It was challenging because it required understanding the market, consumer preferences, and creating a design that not only looked appealing but also conveyed the right message. It involved a lot of research, collaboration with the client, and iterating on design concepts. M: It sounds like a complex and rewarding project. How do you stay updated on design trends and industry changes? D: I make it a point to stay connected with the design community through design blogs, forums, and social media. I attend design conferences and workshops whenever possible, and I also regularly read books and publications related to design and creativity. It's important to keep evolving in this ever-changing field. M: Excellent advice for staying current in the industry. As a graphic designer, you often collaborate with clients. Can you tell us about your experience working with clients and how you manage their expectations? D: Client interaction is a significant part of my role. Effective communication is key. I start by listening carefully to their goals and expectations, asking questions, and ensuring we are on the same page regarding the project's objectives. Clear, transparent communication and presenting design concepts that align with their vision are crucial for a successful client-designer relationship. M: Lastly, for students considering a career in graphic design, what advice would you give to those who are just starting out? D: I would advise aspiring graphic designers to build a strong foundation in design principles and software proficiency. Don't be afraid to take on internships or entry-level positions to gain practical experience and build your portfolio. Be open to feedback, learn from your mistakes, and continue to experiment and push your creative boundaries. This field is incredibly rewarding, and your passion for design will drive your success. |
An interview with Iris - a commercial photographer
M: Hello, Iris! Thank you for talking to me about your career. Can you tell me a bit about how you got started?
I: I studied for a BA in photography and then pursued a Master's in Commercial Photography. I also worked as an assistant to several established commercial photographers, which provided me with hands-on experience and valuable insights into the industry. After gaining some experience, I decided to freelance, and that's when my career really took off. M: It sounds like you've had a well-rounded journey. Can you give us an overview of what a typical day or week looks like in your role as a commercial photographer? I: Absolutely. A typical week can be quite dynamic. I spend time planning and preparing for shoots, which may include meetings with clients to discuss their vision and requirements. On shooting days, I'm on location or in the studio, capturing images, managing a team, and ensuring that we achieve the client's objectives. The rest of the week involves post-production work, client communication, and marketing to secure new projects. M: It's clear that your role involves various responsibilities. Can you tell us about the types of commercial photography projects you typically work on, and can you provide an example of a recent or memorable project? I: I work on a wide range of projects, including product photography, fashion shoots, food photography, and corporate headshots. One memorable project was a product shoot for a well-known tech company. I had to capture their new line of gadgets for an advertising campaign. It was a high-pressure job, but the final images turned out beautifully, and the client was delighted with the results. M: That sounds like a challenging but rewarding project. As a commercial photographer, what are some of the key skills and equipment you use in your role? I: Key skills include not only a deep understanding of photography techniques but also strong communication and organizational skills. I need to be able to work effectively with clients, models, and a team of assistants. In terms of equipment, I rely on high-end cameras, a variety of lenses, lighting equipment, and post-production software like Adobe Photoshop and Lightroom. M: Valuable skills and tools for the job. Speaking of tools, do you have any favorite photography equipment or software that you use in your work? I: I'm particularly fond of my high-resolution camera and a selection of prime lenses, which allow me to capture incredibly sharp and detailed images. In terms of software, Adobe Lightroom is indispensable for managing and editing my images. M: Great choices. Can you share an example of a freelance job you've completed, including the client's needs and how you approached the project? I: Well, I recently completed a freelance project for a fashion brand. They needed a series of images for their summer collection lookbook. After discussing the client's vision and location options, I organized a team of models, hair and makeup artists, and a stylist. We shot on location, carefully selecting backgrounds and lighting to showcase the clothing. Post-production work involved color correction and retouching to ensure the images were vibrant and flawless. M: It's fascinating to hear about the behind-the-scenes work. How do you stay updated on photography techniques and industry trends? I: Staying updated is vital in this field. I attend photography workshops, participate in online forums and groups, and regularly read photography magazines and blogs. I also keep a close eye on the work of other photographers and industry trends through social media. M: As a commercial photographer, you often work closely with clients to bring their vision to life. How do you manage client expectations and ensure a successful collaboration? I: Managing client expectations is critical. I start by thoroughly discussing their vision and objectives, asking questions, and ensuring we are aligned. Throughout the project, I provide regular updates and previews to keep the client informed and engaged. Clear communication and transparency are key to a successful collaboration. M: Lastly, what advice would you give to students aspiring to become commercial photographers? I: Pursue formal education in photography to build a solid foundation. After that, assist experienced photographers to gain practical experience and insights into the industry. Don't be discouraged by challenges; they are opportunities to learn and grow. Building a strong portfolio is essential, so focus on personal projects and collaborations. Lastly, always be open to networking and building relationships with potential clients and collaborators in the industry. |